(169 results found)
Shir hama’alot - The umbilical cord between liturgical and domestic soundspheres in Ashkenazi culture
… the typical melodies of the yearly cycle was a widespread musical custom of German-speaking Jews. [2] In many ways … emphasized how the domestic and public spheres shared a musical repertory. By the second half of the twentieth … between liturgical and domestic soundspheres in Ashkenazi culture … נעמי כהן-צנטנר …
Judeo-Spanish Songs for the Life Cycle in the Eastern Mediterranean
… songs, their language and literary content as well as the musical styles of the melodies. You can download MP3s at … Foundation for the Advancement of Sephardic Studies and Culture, 2006) Pelegrín, Ana | פלגרין, אנה 1996 La flor de … Edwin | סרוסי, אדוין 1990 “The Turkish Makam in the Musical Culture of the Ottoman Jews,” Israel Studies in …
Chasidic in America
… between the Eastern European Jewish and the Afro-American musical realms. Indeed Hankus Netsky, klezmer scholar and … and ambiguous meeting point between traditional and modern culture which was strongly felt by Jews in the United States … University Press, 1995. Netsky, Hankus. “Secular Jewish Musical Expression – Is Nothing Sacred?” in Jewish …
«A Special Kind of Antisemitism»: On Russian Nationalism and Jewish Music
… world strenuously denied Jews entry, Russia’s greatest musical academy welcomed them with open arms. Picture 1: … myth. For the various contemporary explanations for Jewish musical achievement that circulated in the early twentieth … creative tension at the root of modern Russian-Jewish culture as a whole: the conflict between Russian imperial …
Doyne (LKT)
… or refer to the term in question. It also indicates whether musical notation or sound recordings are included in the … genre often associated with sheperds and pastoral culture, has figured prominently in the repertoire of … involve embellished melodic exploration within a particular musical mode [usually the minor Mi sheberakh scale], rather …
Taksim (LKT)
… refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … Jewish-Ukrainain klezmer-taksim... ‘ (ibid.: 132) his musical example does not bear this out. Beregovski’s piece … doinas on the basis of the extensive materials of both cultures, has concluded that ‘Jewish doinas do not have any …
La Gallarda matadora
… primary reasons for this link is the similarity between the musical languages of the two genres. Fusions between … Sephardic music and flamenco were inspired by a few pioneer musical projects carried out over the past four decades that … borrowed from or influenced by the music of the surrounding cultures where the Sephardic Jews lived. For example, …
Longa (LKT)
… or refer to the term in question. It also indicates whether musical notation or sound recordings are included in the … Century in Poland.” Phillips 1996a, pp. 164-165 . (Musical notation and recording references included). “ … music called longas were popular [in the Turkish musical culture]. Jews picked up on these. There are klezmer tunes …
Marsh (LKT)
… or refer to the term in question. It also indicates whether musical notation or sound recordings are included in the … is heard.” [Orgajev, Bessarabia, c. 1930s-40s]. Bik 1964 . (Musical notation included). “From the distance could … which were usually adopted from the surrounding non-Jewish cultures. The adoption of marches by Hasidim is part of the …
Vals (LKT)
… refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … wedding.” [Orgajev, Bessarabia, c. 1930s-40s]. Bik 1964 . (Musical notation included). “It must be acknowledged, that … meter, usually joyful. Waltzes were adopted from non-Jewish cultures by the Hasidic dynasties in Poland and Central …