(691 results found)
“Schlof majn Kind, ich wel dich wigen” (Wiegenlied) – Sleep my child, I will cradle you (Lullaby)
… - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … “Schlof majn Kind, ich wel dich wigen” (Wiegenlied) …
Cleaving tune (Niggun Dvekut)
… whether with or without text, are considered the core of musical creativity in all hassidic communities. They are … canopy. [7] [1] Vinaver-Schleifer, Anthology of Hassidic music , p. 191. In reference to this term among Ashkenazic hazzanim, see: Avenary, The musical vocabulatory of the Ashkenazic Hazanim , p. 190. [2] …
A Nigun on a soff (chassidisch) – A Tune without Ending
… Stutchewsky seems to hint at two sides of the same musical coin in Hasidic thought. Cyclical return and the … - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … A Nigun on a soff (chassidisch) – A Tune without …
Besem-tants (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … or refer to the term in question. It also indicates whether musical notation or sound recordings are included in the … the dance form.” Stutschewsky 1959, pp. 174-75 . ( Musical notation included). See Zibntrit . … Besem-tants …
Alicia Benassayag Bendayan
… The Jewish Music Research Centre of the Hebrew University of Jerusalem … and aunts, as women were primary bearers of this lore. Ethnomusicologist Susana Weich-Shahak of the JMRC, who held a … , wedding songs, and endechas for philologist Manuel Alvar, musicologist Arcadio de Larrea Palacín, and …
Kozatske (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … or refer to the term in question. It also indicates whether musical notation or sound recordings are included in the … “In the [Yiddish folksong] Hatskele , a poor aunt asks the musicians to play her a kazatskele (a wedding dance of …
Hayrana Laih
… in the Arab world, but also has connections to Jewish musical contexts and musicians. The lyrics of Hayrana Laih were written by Ahmed … an opera in Arabic ( Samson and Delilah ). He enriched Arab music by introducing new modes ( maqamat ) and rhythms of …
The Balaĝ Instrument and its Role in the Cult of Ancient Mesopotamia
… scholars understood the term balaĝ as a general word for musical instruments (Hartmann 1960: 57) or for stringed … was played. … 23462 … Instrument … Instrumental music … balag … Mesopotamia … Ancient … Ancient music … Music history … The Balaĝ Instrument and its Role in …
Hag Purim – The story behind its melody
… Ancis for four part men's choir. New York: Transcontinental Music Corporation, 1945. Example 5 Moisei Beregovski, … no. 114. Example 6 “Sabbathlichter” (lyrics: S. Rosenblum, music (!): J. Engel), Juedische Klaenge (Beilage zum … Eastern European Jewish sources), a third part with new musical material, and a return to the second part as the …
Hora
… r Moshe (Musa) Berlin (b. 1937), who took his tunes from musical scores and records published in the U.S., used the term Rumanian Hora (see musical example below) for a pair of slow Hora and Freylekhs … h oret of Yoel Walbe. According to Ze'ev Walter Feldman , a musicologist and researcher of the 'Ashkenazi Dance,' the …