(2593 results found)
The Earliest Musical Notation
… … 3 … 365-382 … … 52 … 1970 … Ancient music … Ancient … David Wulstan … The Earliest Musical Notation …
Folk Elements in Cultivated Music (Resume)
… the 1946 Forum, discussing the composer's way in using folk music in his composition, with a comment on the special character of Jewish music in this context. … 3 … 6 … New York … Society for the Advancement of Jewish Musical Culture … … 7 … 1946 … Folk music … Composers … …
The Hazzanic Recitative
… … Recitative … Compositions … Ashkenazi … Liturgical music … Improvisation … Cantor … Ashkenazi … Max Wohlberg … …
The Cantorial Fantasia Revisited: New Perspectives on an Ashkenazic Musical Genre
… text performed as a CF and its liturgical function; (3) The music-text relationship of the CF was far more complex than … Fantasia Revisited: New Perspectives on an Ashkenazic Musical Genre …
The Training of Hazzanim in Nineteenth-Century Germany
… … Jerusalem … Magnes Press … Yuval - Studies of the Jewish Music Research Centre … … 2002 … Western Ashkenazi … …
Jewish Liturgical Music in the Wake of Nineteenth-Century Reform
… and continuities in Nineteenth-Century Europe synagogue music and hazzanut within a wider context of social change. … concludes with an assessment of the attempt to obtain a musical synthesis of two musical cultures, Jewish and European. … 2 … 59 - 83 … Notre …
Hazzan and Qahal: Responsive Chant in Minhag Ashkenaz
… and mahzorim, the article proves that responsive form, the musical interaction between the hazzan and the congregation, …
Neglected sources for the Study of Nineteenth-Century Synagogue Music: The Prefaces to Louis Lewandowski's Kol Rinnah U't'fillah and Todah W'simrah. Annotated Translations
… of Lewandowski’s prefaces to his major works of synagogue music. Unfortunately omitted from the editions currently printed by Sacred Music Press, the prefaces provide invaluable material on the … works, the aims of the composer, and his ideas on synagogue music and hazzanut. The introduction to the article takes …
Liturgical-Musical Customs at the Dawn of a New Era: Continuity and Change in Salomon Geiger’s Divrey Kehillot
… testifies to the overwhelming continuity of the liturgical-musical customs of Frankfurt-am-Main, many of which reflect … and even decay of some of Frankfurt’s liturgical-musical practices. To some extent the Divrey Kehillot … … Western Ashkenazi … Geoffrey Goldberg … Liturgical-Musical Customs at the Dawn of a New Era: Continuity and …
Jüdische Musik
… Joachim Braun (Ancient Israel) and Judith Cohen (Sephardic Music). … 2 … 2 … 1511-1570 … Kassel … Bärenreiter … … 4 …