(109 results found)
Yitzhak Aviezer
… Former Music Director and Producer for Voice of Israel in Arabic, … (Abu al-'iz) lecturing at Jerusalem Academy . Aviezer's Instrumental composition. (Jerusalem Orchestra East and West) Articles: Jewish Professional Musicians in Iraq and Israel, Revisited …
Salim Shibith (Salim Ha-Cohen)
… Arabic literature and poetry to augment his education at a Jewish school in Baghdad. We hear a familiar story: Shibith … of the maqam , wrote Na‘im Twayna in his series on Iraqi musicians in Al-Anba’ newspaper (June 30, 1978). It is … of Jewish Professional Musicians in Iraq and Israel: Instrumental Improvisation and Culture Change and watch his …
Fog al-Nakhal (فوق النخل): Multicultural and Transnational Journeys of an Iraqi Folksong
… history is complex, revealing a number of interrelated musical and textual settings. Looking into the information … number of different composers, such as the prominent Iraqi-Jewish musician Salah al-Kuwaity (1908-1986), and in some … 1-2.]. His version is also distinct due to its elaborated instrumental introduction performed by a large firqah …
Songs of Palestinian Jews from the Collection of Isaac Lurie (1913)
… The collection of historical Jewish field recordings at the Vernadsky National Library of … the earliest surviving specimens of Middle Eastern Jewish musical traditions. By nature of the technological … are all of male voices singing solo or in groups without instrumental accompaniment. One puzzling instrumental melody …
5. Madame Gaspar (Jacob Algava)
… fourth stanza sung again at the end followed by a longer instrumental finale. Few surviving oral versions of this … - Ladino … Ladino Songs … Ottoman Empire … Sephardic music … Salonica … Saloniki … Thessaloniki … Eastern …
14. El nacimiento y la vocación de Abraham (CES)
… In this recording, the singers repeat stanzas 1-3 and the musicians add an instrumental postlude to complete the side of the record. … - Ladino … Ladino Songs … Ottoman Empire … Sephardi music … Salonica … Saloniki … Thessaloniki … Eastern …
27. El alma dolorida (CES)
… lines and stanza 6, four octasyllabic lines). The rhythmic instrumental refrain is repeated during the piece as … - Ladino … Ladino Songs … Ottoman Empire … Sephardic music … Salonica … Saloniki … Thessaloniki … Eastern …
43. El infant cautivo (Çakum Effendi)
… left of the romance’s narrative. However, the recording is musically rich, surrounded by instrumental interludes played by oud and clarinet. The … - Ladino … Ladino Songs … Ottoman Empire … Sephardic music … Salonica … Saloniki … Thessaloniki … Eastern …
57. Me queres matar mancebo (Mlle Rosa)
… songs. The recording opens with an uncommonly extended instrumental version of the entire song and ends rather … - Ladino … Ladino Songs … Ottoman Empire … Sephardic music … Salonica … Saloniki … Thessaloniki … Eastern …
65. El baile de los falsos (Sida Musafija)
… originates in an 1895 zarzuela (lyrics by P. Cadenas; music by Pedro Badía) and is not strictly related to the … in its name. La Mattchiche usually appears in early sheet music editions as “Spanish march.” The zarzuela itself draws … pas l’mouvement.” This recording ends with an unrelated instrumental piece whose apparent function is just to …