(92 results found)
Ashkenazic and Italian Liturgy
… Ashkenazic and Italian Liturgy Chair: Eliyahu Schleifer Sharon Bernstein, … The Cantillation of the Pentateuch According to the Italian Tradition of Turin Knowledge of the musical traditions of the Jews in Italy, who followed a …
Sefer Shirei Yisrael – Libro dei Canti d'Israele
… Collection of mainly cantorate works: 'Most music is for solo Hazzan; some music also for voice with piano, for solo organ, for solo … … Firenze … Edizioni Bratti … … 1892 … Sephardi … Italy … Italian … Federico Consolo … Sefer Shirei Yisrael – Libro …
Shofet Kol Ha'aretz
… development against the background of the various Ashkenazi musical cultures. The Ashkenazi tradition of this pizmon … 1724 from the transalpine tradition and had embraced the music aesthetics of the surrounding culture. The balanced … and by all of the “common” versions, except the Southern (Italian) one. This cadence is a quotation of the motifs used …
Mi-al har horev from the manuscripts of Obadiah the Proselyte
… of "Mi'al har horev" from Obadiah the Proselyte's Hebrew musical manuscripts, arranged by Andre Hajdu and performed … notation as originating from the 12th-13th century southern Italian School of 'Lombardic notation,' later known as … c.). The unlikely combination of oriental Hebrew text and Italian Christian musical notation found in these fragments …
Shofet Kol Ha'aretz
… line of the opening stanza, is the refrain (same words and music are repeated) and x, the last line of the rest of the … in the past decade or two are the discoveries of the “Italian Genizah,” confiscated folios of Hebrew manuscripts … , Venice, 1587. This last appearance in the non-Ashkenazi Italian rite is also attested in several medieval …
The Tedeschian Community
… means 'Ashkenazi' or 'German,' was coined by the local Italian Jews who lived in the surroundings of the Tedeschian … surnames, which had a German sound and meaning, into Italian: Ettlingen became Otolongi, Marburger or Marburg, … within the synagogue, and these are apparent in the music: The piyyutim melodies are mostly borrowed from the …
Kedusha
… prophet…'). This opening was preserved by the Sephardic, Italian, Persian, and Yemenite Nussa h s. It is based on … according to the word spoken by Thy prophets…') Sephardies, Italians, Romanians, Yemenites, and Chassidim use this … the Nussa h im, on the other hand, kept this custom. From a musical perspective, the Kedusha does not have a unique …
Had Gadya
… the modern fate of the song with in contemporary Israeli musical repertoire. H ad Gadya was incorporated to the … as Ms. ON 859 4/280 of the Institute for the Research of Italian Jewry in Jerusalem.The uniqueness of this version … in her album London (1989). The melody was based off the Italian song Alla fiera dell’est (‘At the Eastern Fair’) …
Had Gadya in Israeli Culture
… the modern fate of the song with in contemporary Israeli musical repertoire. H ad Gadya was incorporated to the … own version to Had Gadya in Hebrew using the melody of the Italian song Alla fiera dell’est (‘At the Eastern Fair’) composed by the Italian singer and song-writer Angelo Branduardi in 1976. …
A Gneyve - A Yiddish Song of Theft and Poverty
… begins with the introductory “khapt im, nempt im” line. The music to this opening section is more dense than in the rest … points out the connection between the song's theme and the musicality of the melody. In his view, the altered Dorian … singer, Kremer was born in Belz, Bessarabia, and sang on Italian and Russian opera stages. At the advice of the poet …