(263 results found)
Samai and Taqsim in Maqam Farah Faza
… oud Taisir Elias, violin Ramzi Bisharat, darbouka … Taqsim: Instrumental Improvisation in Near Eastern Traditions … …
5. Madame Gaspar (Jacob Algava)
… fourth stanza sung again at the end followed by a longer instrumental finale. Few surviving oral versions of this …
14. El nacimiento y la vocación de Abraham (CES)
… the singers repeat stanzas 1-3 and the musicians add an instrumental postlude to complete the side of the record. …
27. El alma dolorida (CES)
… lines and stanza 6, four octasyllabic lines). The rhythmic instrumental refrain is repeated during the piece as …
43. El infant cautivo (Çakum Effendi)
… However, the recording is musically rich, surrounded by instrumental interludes played by oud and clarinet. The …
57. Me queres matar mancebo (Mlle Rosa)
… songs. The recording opens with an uncommonly extended instrumental version of the entire song and ends rather …
65. El baile de los falsos (Sida Musafija)
… pas l’mouvement.” This recording ends with an unrelated instrumental piece whose apparent function is just to …
70. El barón despreciado ( La Gloria)
… made it famous ( 2008 , CD III, no. 15) and by Bosanski Instrumentalni i Pjevački Terzett (see below no. 75 ). This …
74. La esperanza (La Gloria)
… for this attribution. About the same time the Bosanski Instrumentalni i Pjevački Terzett recorded a shorter version …
75. El barón despreciado (Bosanski Instrumentalni i Pjevački Terzett)
… song by La Gloria. Unique to this recording is the dominant instrumental arrangement of accordion, clarinet and drum … … Eastern Sephardi … 75. El barón despreciado (Bosanski Instrumentalni i Pjevački Terzett) …