(177 results found)

Mitsve-tants (LKT)
… Romanian tune (both Jewish and non-Jewish) common in both hora (3/8) and bulgar (2/4) time. Leon Schwartz calls this …

«A Special Kind of Antisemitism»: On Russian Nationalism and Jewish Music
… S. Bykhovskii, “O evreiakh-khudozhnikov (iz doklada D. S. Shora o Palestine),” Rassvet 2:9 (March 1, 1908): 8-9. See …

Khosid/Khosidl (LKT)
… Romanian tune (both Jewish and non-Jewish) common in both hora (3/8) and bulgar (2/4) time. Leon Schwartz calls this …

Bulgar (LKT)
… Its best known step is similar to the Israeli dance hora.” Alpert 1996b, p. 58 . ( Recording references … repertoire consisted of the dance genres named volekh , hora , sirba , ange , and bulgarish . In the non-dance … (Russia, Poland, Roumania, etc.).” Lapson 1943, p. 461 . “ Hora #2 is based on the playing of Leon Schwartz... [and] is …

Doyne (LKT)
… repertoire consisted of the dance genres named volekh , hora , sirba , ange , and bulgarish . In the non-dance … Musical notation and recording references included). “‘Hora #3’... The piece is part of a medley recorded under the … first piece in a three-part suite that includes a doina, a hora (zhok), and a bulgar (freylekhs) or khosidl. Klezmer …

Volekh (LKT)
… repertoire consisted of the dance genres named volekh , hora , sirba , ange , and bulgarish . In the non-dance … the one who is dead, until they dance together the final hora...’Volekhl’ (Wallachian) name given to a Romanian melody of the form doyne-hora to which the tekhiat ha-metim is danced (resurrection …

Krimme-tants (LKT)
… each citation, you get the full reference. See Gas-nign , Hora and Zhok . … Krimme-tants (LKT) …

Londre (LKT)
… full reference. Alpert 1993, p. 2 . Apert 1996a, p. 16 . “Hora: A popular Romanian-Jewish dance in a limping, duple … zhok, vulekhl, krimer tants (‘crooked dance’), or ‘slow hora.’ Not to be confused with the brisk Israeli dance of …

Mazltov far di mekhutonim (LKT)
… repertoire consisted of the dance genres named volekh , hora , sirba , ange , and bulgarish . In the non-dance …

Nokhshpil
… full reference. “...Leon Schwartz learned the doina and hora portions of this three-part medley from Rom, Jewish and Ukrainian musicians in and around Karaptshiv. The hora Leon plays is a version of one of the most common … Alpert 1993, p. 3 . ( Recording references included). “‘Hora #1.’ This hora is abstracted from a doina/hora/sirba …