(65 results found)
![concept-related-content-placeholder](/themes/custom/jewishmusic/images/related_content_Concepts_missing_item.jpg)
The Israeli Mediterranean Style
*The following is a summary of an article by Ronit Seter, to read the full article.…
![yuval-item-related-content-placeholder](/themes/custom/jewishmusic/images/Yuval_item_missing_item.jpg)
«A Special Kind of Antisemitism»: On Russian Nationalism and Jewish Music
In 1958, on the fiftieth anniversary of the founding of the Society for Jewish Folk…
Niggun ‘Akedah: A Traditional Melody Concerning the Binding of Isaac
Niggun ‘Akedah is an Ashkenazi melody firmly associated with the Binding of Isaac,…
Moshe Attias
The Jewish Music Research Centre announces with sadness the recent passing of Cheikh…
Yom Yom Odeh: Towards the Biography of a Hebrew Baidaphon Record
Introduction
It is November 15, 2016 and I am sitting in a car, driving on a mountain…
The Edith Gerson-Kiwi Legacy
“From Berlin to Jerusalem and Back - The Letters of German-Jewish Musicologist Edith…
Review essay: Kevin C. Karnes and Emilis Melngailis, Jewish Folk Songs from the Baltics
Kevin C. Karnes and Emilis Melngailis, Jewish Folk Songs from the Baltics:…
Book Review: Charles B. Hersch, Jews and Jazz Improvising Ethnicity
Charles B. Hersch, Jews and Jazz Improvising Ethnicity. New York: Routledge, 2017…