… several items of south Balkan origin were played by the Jews as ‘bulgar,’ they were not called “terkishe,’ and the … has been referred to as terkishe rhythm is the same as the Greek sirto dance rhythm.).” Phillips 1996a, p. 19 . … by S. Kosch... It exhibits the typical  terkishe  (Actually Greek  sirto ) back up rhythm, albeit at a slow pace.” …

… longas were popular [in the Turkish musical culture]. Jews picked up on these. There are klezmer tunes that can be traced to these, mixed with hasapikos, a Greek urban dance.” Phillips 1996b, p. 183 .    … Longa …

… Hebrew name for the Iberian Peninsula. The Sephardic Jews' ancestors were finally expelled from Spain in 1492 and … and the local languages of the peoples that surrounded the Jews in the various countries where they settled. In their … Nací en Álamo . This song's beautiful melody comes from the Greek song Nas Balamo that was set to Spanish lyrics for the …

… Although the doina is quintessentially identified with Jews from Romania and the southern Ukraine, by the early … of the origin and the meaning of the doina.... The Jews adopted the Moldavian doina, and not only the genre as … by S. Kosch... It exhibits the typical terkishe (Actually Greek sirto ) back up rhythm, albeit at a slow pace.” …

… the part of Bessarabian Gypsy musicians. A favorite among Jews and non-Jews throughout Romania and beyond, this … identified [by Walter Feldman] as... [partly equal to] a Greek  hassapiko  type dance”[H. Kandel, 1918].  Phillips … 1997, p. 23 . ( Musical notation included).  “ Galatns [Greek series] Zeinden’s Tants (Grandfather’s dance) [Jewish …

… deed] of dancing with or for the bride. Among Jews from the Bukovina region where Hasidism was … number of tunes that are considered to be hasapikos by the Greeks and freylakhs by the Jews which are equally typical … genres. We don’t really know but I tend to think they were Greek first. Martin Schwartz of the University of California …

… in Provence, in a transitional form, transmitted perhaps by Jews expelled from France throughout the fourteenth century, among Ashkenazi Jews in Worms (if the 1406 manuscript source mentioned by … resemblances to H ad Gadya. German, French, and modern Greek variants of H ad Gadya are discussed by G. A. Kohut …

… in Provence, in a transitional form, transmitted perhaps by Jews expelled from France throughout the fourteenth century, among Ashkenazi Jews in Worms (if the 1406 manuscript source mentioned by … resemblances to  H ad Gadya. German, French, and modern Greek variants of  H ad Gadya are discussed by G. A. Kohut …

… poet and a composer, was born to a distinguished family of Jews from Spain. He lived and worked in Damascus, Safed, and … Najara's piyyutim are based on Turkish, Arab, Spanish and Greek songs, or on Hebrew piyyutim he favored. In the … from the research of the oral tradition of the Sephardic Jews of the Eastern Mediterranean. Afterwards, the …

… prayer books even before the final expulsion of the Jews from Spain in 1492. Moreover, nocturnal study and … sung are borrowed from the musical culture of the Sephardi Jews of Spain (tunes of Judeo-Spanish songs) and of the peoples of the region: Arabic, Turkish, Greek and Persian tunes. In Najara’s book, and in those of …

… types of polyphonies and uses the polyphonies of Yemenite Jews, Samaritans and Jews of Corfu (Greece) to show that polyphonies exist among … 1471 … 1 … 1968 … Yemen … Greece … Samaritans - Shomronim … Greek … Cantor … Polyphony … Corfu … Cantorial music … …

… here) proposes to deal with five ancient centers where Jews, Romans and Syrians lived together in a cultural and … … Modes … Modality … Biblical chant … Church … Christian … Greek … Christianity … Jewish music … Biblical … Jewish influence … Greek modes … mode … Eric Werner … Amnon Shiloah … Bathja …