(267 results found)
Synagogue Chants of the Twelfth Century
… German version 'Synagogengesaenge des zwoelften … 3 (Jerusalem, 1976), pp. 30-46. … 3 … 27-41 … … 15 … 1966 … Music … Synagogue … Medieval … Chant … Ancient … Israel …
Orbis Musicae
… This is the online version of Orbis Musicae, an international musicological journal published by the Department of … (mostly in English, but with occasional contributions in German and French) dealing with all aspects of musicology, …
Beautifying Worship: Music in Early Reform Synagoges of Northern Germany (ca. 1810-1840)
… … 2 … Koeln, Wien … … Music … Liturgy … Synagogue … Art Music … Art … Reform … Decorum … Modernization … Hamburg … … Worship: Music in Early Reform Synagoges of Northern Germany (ca. 1810-1840) …
The Priestly Blessing in the Ashkenazi Synagogue: Ritual and Chant
… developments of the PB [Priestly Blessing] ritual and its music in the Ashkenazi communities in both Central and … the later developments in the Reform congregations of Germany and North America. In order to do this properly we … the complex web that created the contect within which the music of the PB has developed.' (from the article) … 2 … 233 …
The Cantorial Fantasia Revisited: New Perspectives on an Ashkenazic Musical Genre
… Based on MS sources of Maier Levi of Esslingen, Germany (1813–1874), the article demonstrates: (1) The genre … text performed as a CF and its liturgical function; (3) The music-text relationship of the CF was far more complex than … Fantasia Revisited: New Perspectives on an Ashkenazic Musical Genre …
The Training of Hazzanim in Nineteenth-Century Germany
… as a meshorrer, an apprentice as to a trained cantor. In Germany, in the early and mid-decades of the Nineteenth … score. It also evaluates the long-term repercussions on German hazzanut. … 46 … 2 … 299-365 … Jerusalem … Magnes Press … Yuval - Studies of the Jewish Music Research Centre … … 2002 … Western Ashkenazi … …
Hazzan and Qahal: Responsive Chant in Minhag Ashkenaz
… and mahzorim, the article proves that responsive form, the musical interaction between the hazzan and the congregation, … minhag ashkenaz, the liturgical rite of Southwest and South Germany. Even after the rise of virtuoso hazzanut in the … to the practice in Eastern Europe, continued in many German communities. … 3 … 203–217 … HUC-JIR … … 61 … 1990 … …
Neglected sources for the Study of Nineteenth-Century Synagogue Music: The Prefaces to Louis Lewandowski's Kol Rinnah U't'fillah and Todah W'simrah. Annotated Translations
… The core of the article is a translation from the German of Lewandowski’s prefaces to his major works of synagogue music. Unfortunately omitted from the editions currently … … Synagogue … Synagogue music … Manuscripts … Reform … Germany … Ninteenth (19th) Century … Composers … …
Liturgical-Musical Customs at the Dawn of a New Era: Continuity and Change in Salomon Geiger’s Divrey Kehillot
… testifies to the overwhelming continuity of the liturgical-musical customs of Frankfurt-am-Main, many of which reflect … and even decay of some of Frankfurt’s liturgical-musical practices. To some extent the Divrey Kehillot … Frankfurt … Societätsverlag … … 2005 … Liturgy … Ashkenaz … Germany … Minhag … Orthodox … Emancipation … Western …
Hebraeisch-orientalischer Melodienschatz, [E] 1923-33 [Thesaurus of Hebrew Oriental Melodies]
… Vols. 1-2, 6-10; Also in German (1-10) and Hebrew (vols. 1-5). Each volume contains scores of various kinds of music (liturgical and paraliturgical, as well as comparisons to music of other communities or to non-Jewish music), preceded …