(316 results found)
Marsh (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … or refer to the term in question. It also indicates whether musical notation or sound recordings are included in the … ], Arish would create a special nign . On the arranged day, early in the morning, a happy march was heard throughout the …
Sher
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … around 1830 (in Czechoslovakia) and the quadrille in the early nineteenth century (Parisian), and the lancers was …
Hag Purim – The story behind its melody
… Ancis for four part men's choir. New York: Transcontinental Music Corporation, 1945. Example 5 Moisei Beregovski, … very popular Eastern European Ashkenazi melody that, in the early 1920s, was set by the poet Levin Kipnis to the lyrics … featured in many publications of Jewish folk songs in the early 20th century as a wordless Hassidic niggun as well as …
Ehad mi Yodea - Its sources, variations, and parodies
… focusing on changes introduced to the text and the music within different historical contexts and local Jewish … structure of questions and answers and its numbers are nearly identical to those in “E h ad mi yodea,” with some of … version has become a popular song among Yiddish and klezmer musicians over the past few decades. Performers and adapters …
The Jerusalem-Sephardic Tradition
… th centuries and developed under Turkish-Ottoman and Arabic musical influences. Contents The tradition of … piyyutim The baqqashot singing tradition Piyyutim for the yearly cycle and life-cycle Summary Bibliography The … musical system that shaped the Shabbat and holiday prayers. Early evidence for this phenomenon is found in the …
A Gneyve - A Yiddish Song of Theft and Poverty
… the stolen objects listed in this second version are nearly identical to those in the first version. On the other … begins with the introductory “khapt im, nempt im” line. The music to this opening section is more dense than in the rest … points out the connection between the song's theme and the musicality of the melody. In his view, the altered Dorian …
The Early Attempts at Creating a Theory of Ashkenazi Liturgical Music
… liturgy … Ashkenazi … Boaz Tarsi … Jascha Nemtsov … The Early Attempts at Creating a Theory of Ashkenazi Liturgical Music …
Karev Yom
… The interview was held at the initiative of the Israeli music connoisseur and collector Dudi Patimer. Speaking live from Los Angeles to Tel Aviv, Bikel was nearly offended when Gazit asked him if the interview should … the end of the interview, when asked if he remembers his early days in Tel Aviv, Bikel responded simply with the …
Hatikvah: Conceptions, Receptions and Reflections
… not derive from Smetana nor from a Sephardic prayer. And an early Zionist pioneer did not compose it spontaneously. Nor … is that Hatikvah (“The Hope”) is a perfect example of the early Zionist movement’s creative drive and haphazard, … legislative design. Because of the “folk” origins of its music and the re-writing of Naftali Herz Imber’s poem …
Haynt Iz Purim, Brider
… borrowed for this play, as was the standard practice in the early Yiddish theater. ‘Flaker, Feirel, Flaker’ crossed the … at the beginning of this article. Goldfarb’s version is clearly taken from the zamelbukh , except that it is … arrived in Palestine and was translated into Hebrew as early as 1900. Later on, in the early 1920s, Kadish Yehuda …