(396 results found)
Ange (LKT)
… the full reference. “Honga/Hongu/Hangu: A Moldavian line dance in 2/4 time. Also called honge and ange.” Alpert … repertoire [of klezmer music] consisted of the dance genres named volekh , hora , sirba , ange , and bulgarish .” Feldman 1994, pp. 7-8 . “The Moldavian dances hora and hangu (Yiddish: honga, ange ), [are] …
Honga (LKT)
… the full reference. “Honga/Hongu/Hangu: A Moldavian line dance in 2/4 time. Also called honge and ange.” Alpert 1996b, p. 58 . “The honga was another Moldavian dance. It’s not related to the freylakhs or bulgar. There … Orchestra 1925 recording [Polish style]... Whatever sort of dance a honga is, its musical form is very much like the …
Dobranotsh (LKT)
… obgeshpilt a vivat ..” Elzet 1918, pp. 34-35 . “Non-dance metrical genres included wedding ritual tunes such as … was a dobranots : the klezmorim used to play various dances, and the bride’s friends danced and received honors. Thereafter the klezmorim used to …
Zay gezunt (LKT)
… Beregovski 1935 [= Beregovski/Slobin 1982, p. 515, n. 4]. “Dance music [was played] to speed the parting guests, right … after which the musicians played a frejlaxs and everyone danced in a circle.” Beregovski 1962 [= Beregovski/Slobin … occasion]. At the end the melody becomes happy and people dance a karahod .” [Vilna, Lithuania, 1920s]. Bernstein …
Dobridzien (LKT)
… we heard the ‘guten-Morgen-Standchen,’ ‘dobri dsen,’ and we danced happy little dances.” Wengeroff 1913, I, pp. 182-83 . “The day of the …
Badekns (LKT)
… 58 . ( Recording references included). “The [ beroyges ] dance ended, the song was stopped. The groom approached and … People put their hands on their shoulders and proceeded to dance in time to the music. Afterwards he invited the bride and groom into the middle of the circle and danced with them the ‘mitsve-tentsl.’ After that came the …
Bazetsens (LKT)
… to play a freykekhs , the women burst with joy and hop and dance....then the khasn is taken and they proceed to the … quibbled with the girls, [and] there a konter-tants was danced for [the women’s] approval, one which only the Modnitzers knew... before the khupe the girls danced various dances of theirs and afterwards the bride was …
Kale bazetsen (LKT)
… tunes sung by the badkhn as he invites various guests up to dance the mitsve tants , the religious obligation to dance with the bride. Max wrote the second section of the … here sets the stage for the subsequent freylekhs (a lively dance tune in 2/4) in the same mode. Most kale bazetsn are …
Tsu der khupe (LKT)
… the full reference. “These klezmorim know many pieces: dance, instrumental works played at the table, street tunes … brought the bride to the sound of music... People danced around the bride inside the house.” … after the wedding ceremony, wedding-meal music, and the dances and the ‘freylekhs’ after the meal, that made merry …
Fun der khupe (LKT)
… notation included). “Old women sing this song when they dance opposite the groom with the bride, while they proceed …