… ”  Cahan 1957, p. 491 (#243) .  “ Lancelot, Kutzatsky, Bulgar, Pas d’Espagne , Vingerka , Waltz , forms of popular … 1971, p. 1266 .  “ The Quadrille and Lancelot, Kutztski, Bulgar, Pas d’Espagne, Vingerka : derived from the national …

… II]. Cahan 1957, p. 491 (#244) .  “ Lancelot, Kutzatsky, Bulgar, Pas d’Espagne , Vingerka , Waltz , forms of popular …

… the end of each citation, you get the full reference.   “ Bulgar was the American Jewish name for a dance genre which … dance repertoire... [Andre] Hadju also confuses the terms ‘bulgar’ and ‘terkishe.’ Although, as I note below, several … items of south Balkan origin were played by the Jews as ‘bulgar,’ they were not called “terkishe,’ and the latter was …

… the dance genres named volekh , hora , sirba , ange , and bulgarish . In the non-dance cateogry the most important … function.”Feldman 1994, pp. 10-27.“Choreographically, the bulgareasca is related to the sirba ... Apart from modal and melodic differences, both the sirba and the bulgareasca were rhythmically differentiated from the core …

… in 2/4, at a moderate tempo, between a khosidl and a bulgar. The drummer plays the 8/8 rhythm I [sic] rhythm at …

… feet.’” Cahan 1957, p. 489 (#217) .  “ Lancelot, Kutzatsky, Bulgar, Pas d’Espagne , Vingerka , Waltz , forms of popular … 1994, p. 10 .  “ The Quadrille and Lancelot, Kutztski, Bulgar, Pas d’Espagne, Vingerka : derived from the national …

… you get the full reference.   “ Lancelot, Kutzatsky, Bulgar, Pas d’Espagne , Vingerka , Waltz , forms of popular … 1971, p. 1266 .  “ The Quadrille and Lancelot, Kutztski, Bulgar, Pas d’Espagne, Vingerka : derived from the national …

… 1879, p. 47 .  “ The Quadrille and Lancelot, Kutztski, Bulgar, Pas d’Espagne, Vingerka : derived from the national …

… Volin]. Cahan 1957, p. 491 (#246) .  “ Lancelot, Kutzatsky, Bulgar, Pas d’Espagne , Vingerka , Waltz , forms of popular … 1901, p. 26 .  “ The Quadrille and Lancelot, Kutztski, Bulgar, Pas d’Espagne, Vingerka : derived from the national …

… the dance genres named volekh , hora , sirba , ange , and bulgarish . In the non-dance cateogry the most important … at weddings, such as the ‘Simele,’ ‘Karerod,’ ‘Freilakh,’ ‘Bulgar,’ and ‘Valakhs.” [New York, 1970s].  Seid 1975, p. 15 … doina is usually part of a three part suite: Doina, Zhok, Bulgar. The soloist leads into each new section by setting a …

… the dance genres named volekh , hora , sirba , ange , and bulgarish . In the non-dance cateogry the most important … suite that includes a doina, a hora (zhok), and a bulgar (freylekhs) or khosidl. Klezmer bands have also been … doina is usually part of a three part suite: Doina, Zhok, Bulgar. The soloist leads into each new section by setting a …

… the end of each citation, you get the full reference.   See Bulgar . … Bulgarish (LKT) … concept …