(53 results found)
1. Los árboles de almendra (Jacob Algava)
… versions of Los árboles de almendra includes it (e.g. Bassan 1947 , no. 95; Molho 1960 , no. 37; Attias 1972 , no. …
14. El nacimiento y la vocación de Abraham (CES)
… that this is a local motif (Molho 1960, nos. 41-43; Bassan 1947 , no. 50). In this recording, the singers repeat …
24. El buceador (CES)
… to Attias’ version and also to another one documented by Bassan ( 1947 , no. 166). Other references to this song, all …
31. El lindo mancebo + Los amantes de la casa rica Oh! que lindo mancevo (CES)
… documented only in Salonican sources ( Attias 1972, no. 43; Bassan 1947 , no. 84). In contrast, stanzas 4-6 are …
35. Toma mi alma y tómala (CES)
… The closest version to this love song was documented by Bassan ( 1947 , no. 55), also from Salonica. It appears that …
45. Los amigos me dan esperanza (Çakum Effendi)
… it appears to have been quite popular mostly in Salonica ( Bassan 1947 , nos. 56, 81; Levy 1959-1973 , vol. I, no. 44). …
El Jiwneh Hagalil (Lied der galilaischen Arbeiter) – God will Build the Galilee (Galilee Worker’s Song)
… of work clouded by the unknown. The long notes in the piano bass line, the legato and swell markings in pp dynamic, …
“Die alte Kasche” (Volkslied) – The Old Question (Folksong)
… of the expected G major tonic chord, an F is played in the bass line creating a sharp dissonance with the G in the … beginning of the last line in bar 14 – the A flat in the bass against a B natural in the melody and a G flat in the …
Lied ohne Worte (chassidisch)
… rhythm and even in occasional in unison between the bass and the right hand’s melodic line. The A minor tonality …
Hebräischer Tanz (Original aufgenommen von S. Kisselgoff) – Hebrew Dance (Originally transcribed by S. Kisselgoff)
… line from bar 3 sustains a second interval answering bass chords that are tense and clashing with the melody. The …