(1176 results found)
The "Israeli" In Israeli Music: The Audience Responds
… research question is: Does the audience consider Israeli music different from music written in other countries, and is the audience … works as 'Israeli'. … 57 … 3 … 159-173 … … 1 … 1978 … Art … Israeli … Jehoash Hirshberg … The "Israeli" In Israeli …
The Cantorial Fantasia Revisited: New Perspectives on an Ashkenazic Musical Genre
… of Maier Levi of Esslingen, Germany (1813–1874), the article demonstrates: (1) The genre of the CF was not based … text performed as a CF and its liturgical function; (3) The music-text relationship of the CF was far more complex than … Fantasia Revisited: New Perspectives on an Ashkenazic Musical Genre …
The Training of Hazzanim in Nineteenth-Century Germany
… teachers training colleges (Lehrerseminare). The article examines this process, showing how the new system … … Jerusalem … Magnes Press … Yuval - Studies of the Jewish Music Research Centre … … 2002 … Western Ashkenazi … …
Hazzan and Qahal: Responsive Chant in Minhag Ashkenaz
… references in minhag books, siddurim and mahzorim, the article proves that responsive form, the musical interaction between the hazzan and the congregation, …
Neglected sources for the Study of Nineteenth-Century Synagogue Music: The Prefaces to Louis Lewandowski's Kol Rinnah U't'fillah and Todah W'simrah. Annotated Translations
… The core of the article is a translation from the German of Lewandowski’s prefaces to his major works of synagogue music. Unfortunately omitted from the editions currently … on synagogue music and hazzanut. The introduction to the article takes issue with aspects of the accounts of …
Hebraeisch-orientalischer Melodienschatz, 07[E]: Der traditionellen Gesaenge der sueddeutschen Juden [The Traditional Song of the South German Jews]
… retained... The volume is divided into three parts. Part I contains the modes or 'Steiger', i.e. unrhythmical … … 46 … 1 … Leipzig … Friedrich Hofmeister … … Scores, Music scores … 1933 … Score … Western Ashkenazi … Abraham …
Hebraeisch-orientalischer Melodienschatz, 07[G]: Der traditionellen Gesaenge der sueddeutschen Juden
… retained... The volume is divided into three parts. Part I contains the modes or 'Steiger', i.e. unrhythmical … … 46 … 1 … Leipzig … Friedrich Hofmeister … … Scores, Music scores … 1932 … Score … Western Ashkenazi … Abraham …
![Hebraeisch-orientalischer Melodienschatz, 08[E]: Der Synagogengesang der osteuropaeischen Juden [The Synagogue Song of the East-European Jews]](/sites/default/files/styles/search_result_images/public/ToHOMIXtitle_1_thumbnail.jpg?itok=BZkHfPl-)
Hebraeisch-orientalischer Melodienschatz, 08[E]: Der Synagogengesang der osteuropaeischen Juden [The Synagogue Song of the East-European Jews]
… This is the first of the three volumes which deal with music of East European Jews. It was published in 1932 in German and English. The volume has two parts. Part I contains melodies as they were sung by …
Hebraeisch-orientalischer Melodienschatz, 08[G]: Der Synagogengesang der osteuropaeischen Juden
… This is the first of the three volumes which deal with music of East European Jews. It was published in 1932 in German and English. The volume has two parts. Part I contains melodies as they were sung by …
Hebraeisch-orientalischer Melodienschatz, 09[E]: Der Volksgesang der osteuropaeischen Juden [The Folk Song of the East European Jews]
… Click Here for Slide Show This entry is part of an online exhibit entitled: 'Hava Nagila: From … folk songs, in that the emphasis is on the structure of the music instead of the text. Musical considerations shaped Idelsohn's classification and …