(1069 results found)
The Emergence of Israeli Art Music
The artistic music of the formative period in Israel draws on three sources: the old…
The "Israeli" In Israeli Music: The Audience Responds
The present study is a report of an experimentdone in Jerusalem in 1976. The research…
The Cantorial Fantasia Revisited: New Perspectives on an Ashkenazic Musical Genre
Based on MS sources of Maier Levi of Esslingen, Germany (1813–1874), the article…
The Training of Hazzanim in Nineteenth-Century Germany
Prior to the advent of modernity, Ashkenazi hazzanim acquired their cantorial skills by…
Hazzan and Qahal: Responsive Chant in Minhag Ashkenaz
Drawing upon textual references in minhag books, siddurim and mahzorim, the article…
Neglected sources for the Study of Nineteenth-Century Synagogue Music: The Prefaces to Louis Lewandowski's Kol Rinnah U't'fillah and Todah W'simrah. Annotated Translations
The core of the article is a translation from the German of Lewandowski’s prefaces to…
Hebraeisch-orientalischer Melodienschatz, 08[E]: Der Synagogengesang der osteuropaeischen Juden [The Synagogue Song of the East-European Jews]
Also exists in German. This is the first of the three volumes which deal with music of…
Hebraeisch-orientalischer Melodienschatz, 08[G]: Der Synagogengesang der osteuropaeischen Juden
Also exists in English. This is the first of the three volumes which deal with music of…
Hebraeisch-orientalischer Melodienschatz, 09[E]: Der Volksgesang der osteuropaeischen Juden [The Folk Song of the East European Jews]
Click Here for Slide Show This entry is part of an online exhibit entitled: 'Hava…