(120 results found)
Like Two Branches
… Cantata (text in Arabic by al-Khansa , a 7th century Arabic woman poet) for chamber choir, two oboes, ḳanun (or … … 57 … 10 … 84 … … 1989 … Israel … Poetry … Cantatas … Arabic … Cantata … Israeli art music … Israeli composers … …
Der Gesang Israels und seine Quellen : ein Beitrag zur hebräischen Musikologie
… chapters about music in the bible, masoretic accents,dance, arabic songs, and music of different Jewish cultural groups. … Verlag … … 1975 … Jewish … Music … Israel … Bible … Dance … Arabic … Masoretic accents - Te'amim … Taamey hamikra … …
Maqam
… Arabic term often translated as ‘mode’, ‘scale’, or …
Baqqashah (Pl. Baqqashot)
… of Judeo-Spanish songs) and of the peoples of the region: Arabic, Turkish, Greek and Persian tunes. In Najara’s book, … in the headings of the piyyutim. The use of Turkish or Arabic maqamat and melodies of the surrounding musical … known as the Jerusalem-Sephardi style, is based mainly on Arabic maqamat rather than on the Turkish maqamat employed …
Im nin'alu
… many melodies. Alternate stanzas are written in Hebrew and Arabic. Here stanzas 1, 2, 3, and 7 are printed (complete … with stanzas 1, 2, 3, 7; one of these (2) is sung in Arabic. The soloist begins, and the choir replies in a … with a variation in the tawshih. The second stanza, in Arabic, is sung to a new melody. The soloist, Shalom Keisar, …
Ner Haviv, Ner Na'eh
… set Sh. Shalom’s poem to a melody following a traditional Arabic pattern, composer Yehoyachin (Joachim) Stutschewsky …
Hayrana Laih
… recognized as the first Arab composer to write an opera in Arabic ( Samson and Delilah ). He enriched Arab music by … from Hayrana Laih , taking us from Egypt to Israel, from Arabic to Hebrew, from the secular space to the religious …
Ten Zemirot Ami: New Melodies for Piyyutim from the Aleppo Mahzor (1527)
… now involved in integrating the piyyut with the art of the Arabic maqam : R. David Menahem, Roni Ish-Ran, Yair Dalal, …
Hay ram galeh
… Aleppo muwashsha h at and the rising new styles of Egyptian Arabic music developing from the late 19 th century onwards. … Middle Eastern Sephardic tradition of turning secular Arabic songs into sacred Hebrew ones. Halevi is certainly … formulae that can be assembled to substitute the original Arabic text of the song whose melody is adopted. The desire …
Elohim Eshala
… by a group. The form of most of these songs is that of the Arabic muwashsha h [1] or tawashih . A major characteristic … Elohim Eshala is a nashid in the classical pre-Islamic Arabic genre, the qaṣīdah , [3] consisting of verses ( bayt in Hebrew and in Arabic; Heb. pl. batim ) of equal length and meter, each one …