… Zionist movement was indeed very special and distinctive. Third, it is because the melody is so quintessentially …

… bottom. Etnaḥta and sof-pasuk are in rows one and two. The third row gives zakef katon (or more simply, katon ), a … trope, and it gives the mode a plaintive quality. [34] The third phrase has the same te’amim as the first—in this … Annotations above the melodies suggest that the first and third phrases may be heard in F major (i.e., with a major …