(48 נמצאו תוצאות)
Atonality, 12-Tone Music and the Third Reich
Retrieved from: The United States Holocaust Memorial Museum: Research: Bibliographies…
Ha-noten teshu’s la-mlakhim: Identity and Nationality in 19th-century Synagogue Music in Europe
… … … 2002 … Liturgy … History … Synagogue … Europe … Nationality … Ashkenazi … Edwin Seroussi … Susanne Borchers … Ha-noten teshu’s la-mlakhim: Identity and Nationality in 19th-century Synagogue Music in Europe …
Ha-noten teshu’a la-mlakhim: Identity and Nationality in 19th-century Synagogue Music in Europe
… Edwin Seroussi … Ha-noten teshu’a la-mlakhim: Identity and Nationality in 19th-century Synagogue Music in Europe …
«A Special Kind of Antisemitism»: On Russian Nationalism and Jewish Music
… essay, Gnesin actually singled out the imperial politics of nationality in shaping the national identities of … parochial definitions of membership based on religion or nationality. In fact, the early drafts of their charter even … explicitly open to all composers “regardless of nationality.” [33] The same cosmopolitan nationalism was …
The Israeli Mediterranean Style
… composers … Folk songs … Zionism … Jewish nationalism … Nationality … Israel … Israeli … The Israeli Mediterranean …
Joseph Achron (On His 50th Birthday) (1936)
Article written in Jerusalem
Describes the origin of Jewish musical nationalism, the…
James Loeffler
Ph.D. Columbia University, (2006), Dissertation: 'The Most Musical Nation…