… is part of an online exhibit entitled: 'Hava Nagila: From Idelsohn to Belafonte & Beyond,' prepared by Eva Heinstein …

… Refutes the theory held by Idelsohn and others that Sephardic music reflected solely …

… of the setting of this melody for Atah E h ad is in Idelsohn's second edition of Sefer Hashirim (Berlin 1922) …                                        Score no. 1: A. Zvi Idelsohn, Sefer Hashirim, Kovetz Hadash leganey Hayladim, … Juedischer Verlag 1922, 63-64.   In this arrangement, which Idelsohn wrote from right to left – since he believed the …

… Yemenite garments, customs, life style, and beliefs as Idelsohn witnessed in Jerusalem. The chapter includes a … poetry and music in Yemenite songs. It is interesting that Idelsohn mentions Yemenite plurivocal phenomena in a …

… back to the 15th century. According to musicologists A.Z. Idelsohn and E. Birnbaum the melody of this popular version …

… Songs … Zafat … Arabic … Jerusalem … Yemenite … Abraham Zvi Idelsohn … Hebraeisch-orientalischer Melodienschatz, 01[E]: …

… according to the rendition of L. Sanger [1781-1843].'[from Idelsohn's preface] … 46 … 46 … 1 … 38252 … Leipzig … … scores … 1932 … Score … Western Ashkenazi … Abraham Zvi Idelsohn … Hebraeisch-orientalischer Melodienschatz, 07[G]: …

… … 1 … 38236 … New York? … Ktav … … 1-Oct … Abraham Zvi Idelsohn … Theasarus of Hebrew Oriental Melodies …

… in 1920 (see Bernheim 1920; reproduced, without credit, in Idelsohn 1923, no. 498), are clearly related to this …

… to the Sabbath table song, Ẓur mi-shelo akhalnu , cf. Idelsohn 1923, nos. 476 and 496). La rosa enflorece oh, en …