מיר טראגן א געאגנג [We Carry a Song]
Author
One of the best collection of Yiddish songs, with explanations in English.
Material Type:
Scores
Year:
1972
Anthology of Yiddish Folksongs
Four volumes. The largest modern anthology of Yiddish songs with good Hebrew and English translations of the texts.
Material Type:
Scores
Year:
1983-1987
Yiddish American popular songs, 1895 to 1950 : a catalog based on the Lawrence Marwick roster of copyright entries
Jüdische Liebeslieder (Volkslieder)
Rosinkes mit Mandlen (Raisins and almonds)
Folkslieder
Editor
The first volume of a projected multi-volume anthology of Jewish folklore
Material Type:
Books
Year:
1962
Old Jewish Folk Music: The Collections and Writings of Moshe Beregovski
Author
A pioneer American reprint of Beregovski’s music anthologies of Yiddish songs, klezmer tunes and Hassidic nigunnim coupled with translation of articles published in Soviet Russia.
Material Type:
Books
Year:
1982
Jidiser Musik-Folklor
Yiddish song in contemporary North America
Author
Ph.D. dissertation (location at the Music Dept. of the Israeli National Library: JMB 2843)
Material Type:
Books
Year:
2004
The music by Abraham Goldfaden
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.