The earlier version, entitled “Cross-Repertoire Motifs in the Liturgical Music of Ashkenazi Tradition,” was presented at the World Congress of Jewish Studies, Jerusalem, 2013. This article is an expanded and elaborated version of that paper.
A critical review of research in Jewish music, its paradigms, ideological underpinnings, agendas, institutions, achievements and limitations. It also offers an extensive bibliography of works published mostly in the first decade of the twenty-first century.
in Honor of Edward F. Campbell, Jr. at His Retirement. Ed. by Prescott H. Williams, Jr. and Theodore Hiebert. Atlanta: Scholars Press, 1999