Discusses "Pizmon: Syrian-Jewish religious and social song" (Meadowlark 105, 1985) edited by Kay Kaufman Shelemay and Sarah Weiss, descriptive booklet (8 p.) by Kay Kaufman Shelemay, Sarah Weiss, and Geoffrey Goldberg. Pizmon (pizmonim, pl.) is the term employed by the Syrian Jews to denote a Hebrew song in praise of God, whose melody is borrowed.
Doctoral dissertation (University of Kentucky. The 18 piano transcriptions in the "George Gershwin song-book" reflect Gershwin's abilities as a pianist and his fascination with the early 20th music. In America's melting-pot of cultures, the influences of ragtime, jazz and traditional Jewish music may be found. Gershwin wrote for the piano in a remarkable free fresh and innovative fashion. Improvisations as a genre and not as a style are brilliantly captured in this opus.
A compilation of 31 Jewish-Babylonian songs, including Hebrew texts, English translations and transliterations. 17 songs are also performed by the author (voice), Ehsan Alemam ('ud) and Waleed (tar, daff) and appear on the accompanying CD. Includes historical, social and musical background.
An introduction to a score of synagogue music and hymns, transcribed, arranged and harmonized by Emanuel Abraham Aguilar (see separated entry). The essay deals with the history of Spanish Jewish poets and their poetry, as well as the question of survival of ancient tunes and the introduction of
Synagogue music and hymns, transcribed, arranged and harmonized by Emanuel Abraham Aguilar. Contents: Morning Hymns, Sabbath melodies and Hymns, For Feast of New year and day of Atonement, Festival Hymns, Elegies for the Ninth day of Ab, Occasional Hymns. Preceded by an essay by de Sola, on the history of Spanish Jewish poets and their poetry, as well as the question of survival of ancient tunes and the introduction of new melodies to the concerned poetry (see separated entry).
A ...look at the musical world of immigrant Jews, who, in finding and creating an expressive medium for self-identity, helped shape and give life to American popular culture (from "Ethnomusicology")
Also exists in Hebrew. Music of Persian, Bukharan and Daghestani Jews. Includes an introductory essay on their life and customs, their pronunciation of Hebrew, and their music.
Also exists in English and Hebrew. Music of Babylonian Jews (and Kurdish Jews). Includes an introductory essay on their customs, their language (in comparison to Syrian pronunciation of Hebrew), and their music (modes, motives and Arabic influence, as well as comparison of Biblical cantillation of various communities); contains some information also about the Jews of Kurdistan and their language (Aramaic).
Also exists in German and Hebrew. Music of Babylonian Jews (and Kurdish Jews). Includes an introductory essay on their customs, their language (in comparison to Syrian pronunciation of Hebrew), and their music (modes, motives and Arabic influence, as well as comparison of Biblical cantillation of various communities); contains some information also about the Jews of Kurdistan and their language (Aramaic).
Also exists in English and Hebrew. Music of Yemenite Jews in Jerusalem. Includes an introductory essay on their customs and language with analysis of their music (chant, scales and rhythm).
