As long As I Live
Directed by Edgar Hirshbain
Material Type:
Films
And on the Seventh Day. Et au Septieme Jour [JIMF]
Directed by Baruch Dienar
Material Type:
Films
Year:
1968
The Western Sephardi Liturgical Tradition
Canto espiritual judeoespañol, El (SMR Bresler Collection)
Performer
Abinu malkenu
Yede rašim
Nostalgia y alabanza de Jerusalén
''Et ša'aré raŝón
Yirú 'enenu
Los siete hijos de Hana
Hodú l'Adonay
Yašen al teradam
El mélej
Noche de aljad
Ki ešmerá sabat
La fragua del estudio
Dodí yarad leganó
La ketubá de la ley
Material Type:
Recordings
Year:
1998
Cantorial Compositions, Piutim and Traditional Songs in Judeo Spanish(SMR Bresler Collection)
Performer
Qamti be-ashmoret
Anna ke'av zedoni
Im afes rova ha-qen
Adonay, Adonay, El rahum ve-hanun
Avinu malkenu
Yedei rashim
Yah shimekha aromemkha
Le-britekha shokhen zevul
Adonay, sham'ati shim'akha yareti
Ohila la-el
Ha-ben yaqir li Efraim
Ha-yom harat olam (1)
Ha-yom harat olam (2)
Yezav ha-el
Qiddush (Shabbat)
Bemoza'ei yom menuhah
Eli Eliyah
Material Type:
Recordings
Year:
1989
Jontefflieder
Author
A collection of songs and music for the Jewish holidays divided into eleven sections by holiday: 1. Simchath-torah 2. Chanukkah 3. Purim 4. Pessach 5/6. Lag-baomer and Shavuoth -7. Tishah-be'Av 8. Rosh-ha'Shanah 9/10. Yom-kippur 11. Sukkot
Material Type:
Books
Year:
1919
I’m a Yankee Doodle Dandy? Identity and Melody at an American Simhat Torah Celebration
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.