Sephardic & Ashkenazic Songs, both Traditional & Modern (SMR Bresler Collection)
Lecha Dodi
Quando El Rey Nimrod
Tzur Mishelo
also released as the LP `Arella`
Material Type:
Recordings
Songs of Israel (SMR Bresler Collection)
Performer
Ysmakh Moshe
Yehalelu shmo b'mehol
Shavua tov, Elyahu hanavi
Yom zeh l'Israel
Ki ashmora hashabat
Et dodim kala
Yoducha ra'ayonai
Material Type:
Recordings
Year:
1959?
Joe Amar Presents Hebrew Songs in Sephardic Style (SMR Bresler Collection)
Performer
Ysmakh Moshe
Yehalelu shmo b'mehol
Shavua tov, Elyahu hanavi
Yom zeh l'Israel
Ki ashmora hashabat
Et dodim kala
Jodoch raioni
Material Type:
Recordings
Year:
1959?
Hebrew Songs in Sephardic Style (SMR Bresler Collection)
Performer
Ysmakh Moshe
Yehalelu shmo b'mehol
Shavua tov, Elyahu hanavi
Yom zeh l'Israel
Ki ashmora hashabat
Et dodim kala
Jodoch raioni
Kidouch-Chabbat
Lemibza alrifta
Yah ribon
Ely Elyahu
Material Type:
Recordings
Year:
1959?
Oriental Songs (SMR Bresler Collection)
Performer
Performer
Ani havatzelet hasharon
Mi zot ola
Im lo teid'y lach
Lekha dodi
Lekhu neranena
Im Eshkahech
Shir hashikor
Hava libi
Tzur ram
Yom ze le'Israel
Dror ykra
Ocha ki anitani
Material Type:
Recordings
Year:
196-?
Oriental Favorites (SMR Bresler Collection)
Performer
Performer
Yom hashabbat
Im afes
Et shaarey ratson
Avinu malkyenu
Kochavi shaka
Shuvi shuvi hashulamit
Matzlif hageshem
Mi zot ola
Sukka velulav
Leshoni konanta
Material Type:
Recordings
Year:
196-?
Oriental Cantorial Gems (SMR Bresler Collection)
Performer
Performer
Essa eynai
Tzur mishelo achalnu
Eyin ke'eloheynu
Ygdal elohim hai
Agadelcha
Birkat hanerot & Hanerot halalu
Maoz tzur
Keter
Veyom shviyi
Ana bekhoakh
Shuva limona
Yom ze shiru la'el
Ana teshvi
Material Type:
Recordings
Year:
196-?
Jo Amar Sings Yismah Moshe (SMR Bresler Collection)
Performer
Yismah Moshe
Yehalelu sh'mo v'mahol
Shalom alekhem
Kiddush
Lemivtsa al rifta
Et dodim kallah
Kah ribbon
Yom zeh l'Yisrael
Ki eshmerah Shabbat
Yodukha rayonay
Shavua tov
Eliyahu hanavi
Material Type:
Recordings
Year:
1967
Puerta de Veluntad (SMR Bresler Collection)
Performer
Yah šemá ebioneja
Eleja Adonoy
Yeŝav haEl
Uri ŝafón
Yašen al teradam
Šeźufat šemeš - Lešoni bonanta
Vaya 'abor Adonay
Šir haširim
Quéter
Yede rašim nejelašim
Lejá dodí neŝé
Adón 'Olam
Aź yašir Mosé
Yonati bejagve
El atán, el atado y el ara
Vešamerú
''Anenu Elohé Abraham
Material Type:
Recordings
Year:
2000?
Canto de Auroros, El (SMR Bresler Collection)
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.