Performs Judeo-Spanish Songs (SMR Bresler Collection)
Performer
Avraham avinu
En Kelohenu
Avrix mi galanica
Falso sos y mentiroza - Noches, noches
La comida la manana
Scalerica de oro
Una hija tiene el rey - Dunula
Adios, querida
Tus cavellos seda son
Se acodran de los hijicos
Material Type:
Recordings
Year:
1986 (cassette); 1997 (CD)
Art of Judeo-Spanish Song, The (SMR Bresler Collection)
Performer
Poco le das, la mi consuegra
Una matica de ruda
B'ni b'gincha
Kol nidrë
Ven hermoza
Dame la mano
Fel sharah canet betet masha
La buliza çapateta
Dulores tiene la reina
Mi querido bevió vino - El mi querido bevió vino
Una pastora yo amí
Ah, el novio no quere dinero
El rey que muncha madruga
Esturulú
Material Type:
Recordings
Year:
1993
Izak Algazi Efendi (SMR Bresler Collection)
Performer
Kiddush le-Shavu'ot
Yslach mi-shamayyim
Avinu malkenu
Adonay sham'ati shim'akha yareti
Ochilla la-el
Ha-yom harat 'olam
Es razón da alabar
Yetzav ha-el
Ay mancebo, ay mancebo
Quién conoció mi mancevez
Cantica de ajugar
Reina de la gracia
Material Type:
Recordings
Year:
2004
Cantorial Compositions, Piutim and Traditional Songs in Judeo Spanish(SMR Bresler Collection)
Performer
Qamti be-ashmoret
Anna ke'av zedoni
Im afes rova ha-qen
Adonay, Adonay, El rahum ve-hanun
Avinu malkenu
Yedei rashim
Yah shimekha aromemkha
Le-britekha shokhen zevul
Adonay, sham'ati shim'akha yareti
Ohila la-el
Ha-ben yaqir li Efraim
Ha-yom harat olam (1)
Ha-yom harat olam (2)
Yezav ha-el
Qiddush (Shabbat)
Bemoza'ei yom menuhah
Eli Eliyah
Material Type:
Recordings
Year:
1989
Sortilèges de Musiques Mediterranéennes (SMR Bresler Collection)
Transcription de la pulsation, de la metrique et du "rhythme libre" [Transcription of the pulse, meter, and "free rhythm"]
Author
Collection title: Cahiers de musiques traditionnelles. XII (1999): Noter la musique Analyzes in detail two examples of transcription of monophonic music with complex rhythmic strata that interact in subtle and fluid ways:
Material Type:
Articles in Journals
Year:
1999
Musik der sefardischen Juden & hebräische Lieder (SMR Bresler Collection)
Performer
Tres de la noche
Ay ke relumbror
Dos amantes
Arvoles yoran por luvias
Morenica
La rosa enflorese
Ha'mavdil
Triste esta el rey David
Deror jikra
Lavava la blanca ninia
Durme, durme
Una matica de ruda
Avram avinu luz de Israel
Material Type:
Recordings
Year:
1990s
Sefardische Romanzen II (SMR Bresler Collection)
Performer
Con su bien sea entenderse
Mipi el
El incendio de Salonik
En el vergel de la reina
Ay que relumbror
Canto de Seder (sung in Italy)
Durme hermozo hijico
El conde niño
Era oscuro
Arvolicos d'almendra
Morenica
Morena
Rahel
Arvoles lloran por lluvias
A la una yo naci
Mi suegra
Oh que mueve meses
Mi padre era de Francia
Burjula
Material Type:
Recordings
Cantigas Sefardies (SMR Bresler Collection)
Performer
La ballada del soldado
Mi suegra, la negra
Delgadita
El sueño de la hija del rey
Una matica de ruda
La historia de Zimbolucha
Minnux
18 años tengo
Pobereta muchachica
¡Bre Sarica!
El rey Nimrod
Buena semana
La caleja de Matalón
Por qué lloraj, blanca niña
¡Hija mia, mi querida!
Dame la mano, tú, palomba
Nanni
En este mundo
Material Type:
Recordings
Year:
2000
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.