Stefanie Mockert
Ancient Music in the Modern Classroom
https://jewish-music.huji.ac.il/sites/default/files/14%20Ancient%20Music%20in%20the%20Modern%20Classroom%20pp%20365-375%20Yossi%20Maurey.pdf
Sur le concept de musique juive
https://jewish-music.huji.ac.il/sites/default/files/02%20Sur%20le%20concept%20de%20musique%20juive%20-%20Simha%20Arom%2075-91%20with%20title%20p.pdf
Exemplification and the Limits of “Correctness”: The Implicit Methodology of Idelsohn’s "Thesaurus"
https://jewish-music.huji.ac.il/sites/default/files/13%20E%20Exemplification%20and%20the%20Limits%20of%20Correctness%20-%20The%20implicit%20Methodology%20of%20Idelsohn-s%20Thesaurus%20-%20Ruth%20Katz%20p365%20-%20317%20plus%20title%20p.pdf
The Titles of the Psalms - A Renewed Investigation of an Old Problem
https://jewish-music.huji.ac.il/sites/default/files/02%20The%20Titles%20of%20the%20Psalms%20--%20A%20Renewed%20Investigation%20of%20an%20Old%20Problem%20pp%2029-123%20%20Bathja%20Bayer%20booklet%20and%20title%20page%20abreves.pdf
Robert Lachmann: His Achievement and His Legacy
https://jewish-music.huji.ac.il/sites/default/files/03%20E%20%20Robert%20Lachmann%20-%20his%20Achievement%20and%20his%20Legacy%20pp%20100-108%20-%20Edith%20Gerson-Kiwi%20incl%20title%20p%20and%20abbreves.pdf
אסף מחקרים באמנויות - Orbis Musicae
זוהי הגרסה המקוונת של Orbis Musicae, כתב עת בינ"ל מוסיקלי בהוצאת המחלקה למוסיקולוגיה באוניברסיטת תל אביב אשר היה פעיל לאורך 30 שנים, משנות ה-70' ועד 2007. בעוד בכתב העת התפרסמו מאמרים וביקורות ספרים (בעיקר באנגלית, אך עם תרומות מזדמנות בגרמנית וצרפתית) בכל תחומי המוסיקולוגיה, העורכים ניסו בעבר להדגיש את המוסיקה של המזרח התיכון ושל אגן הים התיכון. הכרכים והגליונות של Orbis Musicae מכילים מחקרים של כמה מן המוזיקולוגים הידועים ביותר בעולם, והם מלווים לעתים קרובות בדוגמאות מוסיקליות ובחומרים אחרים. האתר כולל את רשימת התכנים לא מלאה של Orbis Musicae מ-1972 ועד 2007.
The World Centre for Jewish Music in Palestine, 1936–1940: Jewish Musical Life on the Eve of World War II
Author
A survey of the history and personalities of an ambitions pre-World War II attempt to create an institution that will document and promote Jewish music while moving the operations from an insecure Europe to Palestine. Based on the archives of the WCJM located at the National Library of Israel in Jerusalem, the book includes useful indices.
Material Type:
Books
Year:
1992
Jüdische Musiktraditionen
Author
A general introduction geared to undergraduate college students offering a panoramic overview of the main issues of Jewish music for the uninitiated. Accompanied by a CD.
Material Type:
Books
Year:
2001
Music of the Ghetto and the Bible
Author
Written as a memoire of the musical encounters of the author, composer and conductor Lazare Saminsky (1882-1959), with Jewish communities in his homeland, the Russian Empire and elsewhere, the book is a document of the late Romantic Orientalistic views of Western intellectuals regarding the authenticity of Jewish music in the East.
Material Type:
Books
Year:
1934
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.