Arba Otiyot
Edge of the West
Directed by Arnan Zafrir
Material Type:
Films
Year:
1961
Ahavat ‘Olamim: Andalusian Hebrew Song from the Maghreb to Jerusalem
Judeo-Spanish Moroccan Songs for the Life Cycle
Author
An introduction to the folk songs of the Judeo-Spanish speaking Jewish communities of northern Morocco. The book contains the music and full Judeo-Spanish text (with English and Hebrew annotations) of fifty songs for circumcision and childhood, Bar-Mitzvah, courtship and marriage, death and mourning songs. Accompanied by a CD, catalogued separately: Judeo-Spanish Moroccan Songs for the Life Cycle.
Material Type:
Scores
Year:
1989
Judeo-Spanish Moroccan Songs for the Life Cycle
Editor
A collection of life-cycle songs: birth, circumcision, wedding etc., sung in Ladino. All songs were recorded, transcribed and annotated by Susana Weich-Shahak. The CD accompanies a book of the same title, by the above editor (Yuval Music Series, vol. 1, 1989). 1st edition (1989) was published as a cassette.
Material Type:
Recordings
Year:
2001
The Language of the Heart: Encounters between Jewish and Moslem Musicians in Morocco and Spain
La música arábigo-andaluza en las baqqashot judeo-marroquíes: Estudio histórico y musical
Material Type:
Articles in Journals
Year:
1990
La musique andalouse-marocaine dans les manuscrits hébraïques
La dimensione del suono nelle sinagoghe del Marocco
Andalusian Hebrew Strophic Poetry in the Religious Musical Repertoire of the Moroccan Jews
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.