Avodat Habore
Sephardi fin de-siécles: The Liturgical Music of the Türkische-Israelitische Gemeinde in Vienna Reconsidered
The Liturgical Music of the Sephardi Jews: East and West
The Study of Liturgical Music of Algerian Jewry
The Ancient Modernity of the Liturgical Music of the Portuguese Synagogue in Amsterdam
The Levites and the levitical choir
Vortrag, gehaltenauf der Jahresversammlung ostpreussischer Religionslehrer
Author
Item unchecked in American libraries, see also SENDREY 6061.
Material Type:
Books
Year:
1902
The Soul Chai
Performer
1. a) Yugent-Himen b) Zog Nit Keyn Mol
2. Jiddish Tango
3. a) Rivkele, di Shabesdike b) Der Hoyfzinger Fun Varshever Getto
4. Mode Ani
5. a) Oyf Eybik Unser Lebn b) Yisrolik
6. a) Main Shikhelekh Varfoylt b) Makh Tsu Di Eygelekh
7. a) Minutn fun Bitokhen b) Es Shlogt Di Sho
8. Tefilati
9. Friling
10. Follow the Klezmer's Light
11. Zelbike Gasn
12. Tsen Brider
13. Shtiler, Shtiler
Material Type:
Recordings
Year:
1995
Shalom Music of the Jewish People
Performer
Performer
Composer
Performer
Performer
An eccletic collection of Hebrew, Yiddish, secular, liturgical, Klezmer, Swing music, and more. The album includes the following tracks:
1. Hatikvah - Israeli Concert Band
2. My Yiddishe Momme - Sophie Tucker
3. The Cantor - Al Jolson
4. Hello Mama - George Jessel
5. Roumania, Roumania - Aaron Lebedeff
6. My Song Goes 'Round The World - Jisef Schmidt
7. Hebrew Melody - Jascha Heifetz
8. Kaddish - Yehudi Menuhin
Material Type:
Recordings
Year:
1991
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.