The original German version of the epoch-making monograph by Robert Lachmann (published originally in 1942 in English without musical examples and photographs) on the musical culture of the venerable Jewish community from the Island of Djerba, off the southern coast of Tunisia. Reaching far beyond this specific case, which served Lachmann as a kind of pilot project, the book has become a model that scholars may find applicable to other issues in ethnomusicology.
This rare recording of one of the last surviving singers of the Maftirim choir (Edirne, Turkey), Samuel Benaroya, documents a mostly unrecorded tradition dating from the 17th century of Hebrew & sacred poems set to Ottoman classic music. Recorded by Moshe Kirschbaum, annotated by Edwin Seroussi.
1 CD, accompanied by Hebrew and English program notes and texts. Selections of liturgical music of various Jewish communities in Italy, recorded originally by the Italian Jewish ethnomusicologist Leo Levi (1912-1982) from original sources. Contents: prayers, cantillation and hymns for Sabbath, High holidays, festivals, Hannukah, Purim; Songs and hymns for Birth, circumcision and wedding.
Musical notes, explaination of Gregorian Chant (with Latin text). The hymn of St. Stanislaus given with notes for 4 voices; Discantus, altus, tenor, contratenor, in mensural notation, Latin text. pp. 98-101. Jewish Theological Seminary Library, NY. For further notes see Sendrey, p.82.
Retrieved from: The United States Holocaust Memorial Museum: Research: Bibliographies Outlines the efforts of government officials to “Germanize” and “dejudaize” the texts of sacred choral works, such as Christmas carols and traditional hymns, by modifying the verses to reflect Nazi ideals. Includes a suggested reading list on the subject.
A survey of High Holyday hymns in the Sephardi liturgy
