Shir Ba-Meromim, music in the “Hillulah” of Bar-Yohay (celebrations)
Hasidic Tunes of Dancing and Rejoicing
Last Jews in Yemen
Larry S. Frisch
Material Type:
Films
Year:
1995
Stan Getz: A Musical Odyssey
Directed by Herbert Dorfman
Documentary about jazz saxaphonist Stan Getz's three week trip to Israel tour of Israel in 1977 where he played with "local musicians, including a Kurdish drummer, an Arab quartet, a Hassidic wedding band and a Yemenite dance troupe adapting his unique style to the various ethnic sounds of Israel."
Material Type:
Films
Year:
1978
Shabbat Hamalcah
Directed by Ilan Eldad
Material Type:
Films
Year:
1970
Omer Dancing at Ramat Yochanan
Produced by Norman Lourie and Joseph Krumbgold
Material Type:
Films
Off the Beaten Track in Israel
Directed by Stephen L. Sharff
Material Type:
Films
The Hasidic Niggun as Sung by the Hasidim
Editor
Contains Niggunim of various genres, and from various Hassidic dynasties, performed either in solo or group singing (choir or congregation), occasionally with instrumental accompaniment. The Niggunim are taken from a variety of calendar and life-cycle events: Shabbat, Festivals, Zemirot, Tish, Wedding, Dance, Devequt, Marches, Waltzes, etc.
Most of the tracks were recorded in Jerusalem and Benei Berak, others in Kefar Habbad, Rehovot, and one in the US.
Material Type:
Recordings
Year:
2004
Rikudei Mitsva, toldoteyhem, tsoroteyhem verakdaneyhem
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.