The Foundation for New Jewish Liturgical Music seeks to foster new music for Jewish congregational use and expose wider audiences to innovations in Jewish religious music. Shalshelet promotes the creation and spread of new Jewish liturgical music by looking for the answers to these questions: Which congregations are singing different tunes? Who is writing and leading these new compositions? How can these compositions be found, collected, and shared?
The Israel Music Institute (IMI) is the first publicly owned publishing house in Israel.
The Friday evening service, arranged for Cantor (baritone or tenor), mixed voices (SATB), and organ.
Also in: Musicological Studies 3 (1980): 139-58. Interviews made during field work in Hungary and Czechoslovakia illustrate the emic concepts about musical composition in Ashkenazic Jewish music. The concepts differ considerably with regard to various styles within the tradition. Nevertheless, it is generally agreed that Hassidic nigumim are original inventions of composers from Hassidic courts.
Retrieved from: The United States Holocaust Memorial Museum: Research: Bibliographies Analyzes the Nazi treatment of modern, atonal compositions, which were condemned as “degenerate” and were considered part of a conceived “Jewish world conspiracy.”
