El cancionero sefardí de Bulgaria 'Kantikas viejas': Avance de un catálogo y edición crítica
The Wedding Songs of the Bulgarian Sephardi Jews
Structural Phenomena in the Wedding Songs of the Bulgarian Sephardi Jews
Material Type:
Books
Year:
1982
Master of Klezmer Music Vol. 2
Performer
1. Freylekhs From The Wedding Canopy
2. The Quiet Bulgar
3. Kolomeyka
4. The Grandfather And The Grandmother
5. The Golden Wedding
6. Serba Popilor
7. Bolter Bulgar
8. Mamaliga-Roumanian Dance
9. The Street Melody
10. Cohen Visits The Sesquicentennial
11. Jakie Jazz 'Em Up
12. Sh! The Rabbi Is Dancing
13. The Stack Of Gold
Material Type:
Recordings
Year:
1997
Master of Klezmer Music: Russian Sher
Performer
1. A Yidishe Honga (Hebrew Dance)
2. Rusishe Sher (Russian Sher)
3. Rusishe Sher (Russian Sher)
4. Dem Trisker Rebns Nign (The Trisk Rebbe's Tune)
5. Der Nikolayver Bulgar
6. Lebedik un Freylekh (Lively and Happy)
7. Bapolyer Freylekhs (Bapolier Song of Happiness)
8. Freylekhe Mekhutonim (Happy Relatives)
9. Khosn Kale Mazltov (Congratulations, Bride and Groom)
10. Rusishe Kamarinska
Material Type:
Recordings
Year:
1995
Early Dave Tarras 1925-1928 Shloimke Beckerman 1923-1924
Performer
Performer
Eyropeyishe Kolomeyka (April 1924) Eyropeyishe Kamariska (April 1924) Dem Tsadiks Zemerl (Jan 1928) Russian Dances Part 2 Yismekhu A Galitsianer Tentsl (Dec 1923) Tants A Freylekhs (Dec 1923) Tkias Shofar (Dec 1923) Trinkt Briderlekh Lekhaim (Oct 1923) Ot Azoy (Dec 1923) Dem Monistrisher Rebns Khosidl (Sept 1925) Tayere Odesa (Jan 1926) Dovidl Bazetst Di Kale (Jan 1926) Russian Dances Part 1 A Rumeynisher Nign (April 1927) A Bulgar (Sept 1925) Undzer Toyrele (Jan 1928) Rume
Material Type:
Recordings
Le Niggun Meron: Description d’un patrimonie instrumenal juif
Material Type:
Articles in Books
Year:
1971
Bulgareasca/ Bulgarish/ Bulgar: the Transformation of a Klezmer Dance Genre
Author
Outline of the article:
Klezmer music
Classification of the Klezmer Genres
Bulgareasca, Bulgarish, Bulgar
The Bulgareasca/ Bulgarish in Eastern Europe
The Bulgarish in America
Conclusion
Notes
Material Type:
Articles in Journals
Year:
1994
The Wedding Songs of the Bulgarian Sephardi Jews
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.