Ashkenaz

Invention individuelle et tradition collective dans la musique juive de Hongrie

Also in: Musicological Studies 3 (1980): 139-58. Interviews made during field work in Hungary and Czechoslovakia illustrate the emic concepts about musical composition in Ashkenazic Jewish music. The concepts differ considerably with regard to various styles within the tradition. Nevertheless, it is generally agreed that Hassidic nigumim are original inventions of composers from Hassidic courts.

Material Type: 
Books
Year: 
1982-83

Preliminary thoughts toward the study of music without clear beat: the example of 'flowing rhythm' in Jewish nusah

Attempts to conceptualize and illustrate the problem of rhythmic structures without a clear beat, that is, structures which are commonly called free or flowing rhythm. A theoretical framework is proposed for the analysis and transcription of such music.

Material Type: 
Articles in Journals
Year: 
Spring-Summer 1993

Transcription de la pulsation, de la metrique et du "rhythme libre" [Transcription of the pulse, meter, and "free rhythm"]

Collection title: Cahiers de musiques traditionnelles. XII (1999): Noter la musique Analyzes in detail two examples of transcription of monophonic music with complex rhythmic strata that interact in subtle and fluid ways: , a partially improvised Hungarian traditional song of the genre practiced chiefly in Transylvania, and the benediction section of the , an Ashkenazi prayer celebrating the exodus of the Jewish people from Egypt.

Material Type: 
Articles in Journals
Year: 
1999

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