Anthology of Hassidic Music
Vollständiger Jahrgang von Terzett-und Chorgesängen der Synagoge in München
Composer
Collection of trios and choir songs of the synagogue in Munich, for the entire yearly cycle.
Collected in three volumes: 1st vol.: 27 songs, recitatives and responses for the Sabbath.
2nd vol.: 39 general songs and songs for Shlosha Regalim: Sukkot, Pesach and Shavu’ot.
3rd vol.: 95 songs for This’a Be’av, Purim and High Holidays.
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Scores
Year:
1839
The Hazzan’s Manual
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For voice solo or with piano accompaniment.
Material Type:
Scores
Year:
1971
Mizmor l’David: an anthology of synagogue music
Collector
Compiled, edited and arranged by David J. Putterman. Includes compositions by Marc Lavry, Alexander Tansman, Zavel Zilberts, Paul Ben Haim, Eduard Birnbaum, Yedidya Admon, M. Kohn, R. Kosakoff, M. Lustig, Solomon Rosowsky, Y. H. Wohl, A. M. Rabinowitch, L. Agazi, M. Silver, H. Adler, N. Robinson, A. W. Binder, E. Mills, Samuel Alman, H. Adler, Jacob Rapaport, I. Goldfarb and others.
Material Type:
Scores
Year:
1979
Cantorial Pearls
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A collection of recitatives for cantor. .
Material Type:
Scores
Year:
197-
Romancero Sefardí de Marruecos, Antología de tradición oral
Chemjo Vinaver
Composer, conductor, collector and researcher of Hassidic music
1895-1973
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.