Yitzhak Sadai was born in Sofia, Bulgaria, and immigrated to Israel in 1949. He studied composition at the Tel Aviv Academy of Music under...
Stanley John Sadie was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the Grove Dictionary of...
Born in London, was a concert pianist from an early age. As a composer he wrote works for piano, organ, orchestra and opera, and had a special interest in devotional music for the...
Walter Salmen was born in 1926, in Paderborn, Germany.
His career as a musicologist began after studying musicology, history,...
Born in Heidelberg, Germany, Salmon studied composition with Richard Strauss at the Berlin Academy of the Arts, and later worked as a repetiteur at the Berlin Staatsoper,...
“The first lady of the piano in Israel," and, "She is considered the first Israel-born pianist to achieve international fame”... these and similar phrases color many writings about...
Lazare Saminsky was born in Vale-Gotzulovo[-Hatzulovo], Ukraine. He studied composition at the St. Petersburg Conservatory (1906-1910). In 1908 he became a founding member of...
Born in Belaya Tserkov,
Rafael Schächter was born May 27, 1905, in Braila (Rumania). After World War I, Schächter moved to Brno, where he began his formal musical studies. He continued his studies at...
Born in Vienna, Austria. Studied in Vienna, and later worked as an organist in synagogues in Munich and in Rome. Immigrated to the U.S. in 1940 and held positions as a synagogue organist in...
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.