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The great cantor of Baghdad : the liturgical poems of Joseph Ben Hayyim al-Baradani
Author
Tova Beeri
Author
Joseph Albaradani
Material Type: Books
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Mul Hanerot
Composer
Avraham Daus
Author
Esther Isaacson
Material Type: Scores
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Premitie armoniche a tre voci
Composer
Davit Civita
Material Type: Scores
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El Ha-Ma'ayan (to the fountain): Children's Songs
Composer
Emanuel Amiran (Pougatchov)
Material Type: Songsters
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Schir-Hakawod
Composer
Isidor Lowit
Composer
Jacob Bauer
Material Type: Scores
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Mikitka
Arrangement
Jacob Beimel
Material Type: Scores
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Leonard Bernstein : a life
Author
Meryle Secrest
Material Type: Books
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Yahweh Rastafari! Matisyahu and the Aporias of Hasidic Reggae Superstardom
Author
Louis Kaplan
Material Type: Articles in Journals
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Rhapsody on a Jewish-Yemenite song for piano and strings
Composer
Ram Da-Oz
Material Type: Scores
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Kumu ve-Nashir
Composer
Ram Da-Oz
Material Type: Scores
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A Polka Mazurka
Niggun of the Meggid of Mezerich
From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
Kol B'ru'ei (Padua, Italy)
From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
Yigdal
From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
Eres Chiquita y Bonita
From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
Sweet Shalt Be My Chant
From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
Lyr II
From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
Gilu ha-Galilim (Rejoice Galileans)
From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
Saperi Tama
From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.